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Richard Williams, who had directed the animated portions of Roger Rabbit, was approached to direct but declined in favor of continuing work on his long-gestating project The Thief and the Cobbler.In his place, Williams recommended his colleague, English animation director Richard Purdum, and work began under producer Don Hahn on a non-musical version of Beauty and the Beast set in 19th-century France.A few months after starting anew, Purdum resigned as director.The studio had approached Ron Clements and John Musker to direct the film, but they turned down the offer, saying they were "tired" after just having finished directing Disney's recent success The Little Mermaid.
Back at the village, Belle proves Maurice's sanity by revealing the Beast in the mirror to the townsfolk.One winter's night, an enchantress disguised as a beggar offers a cold-hearted prince a rose in exchange for shelter.When he refuses, she transforms him into a beast and his servants into household objects.At the behest of Disney CEO Michael Eisner, Beauty and the Beast became the first Disney animated film to use a screenwriter.
This was an unusual production move for an animated film, which is traditionally developed on storyboards rather than in scripted form.
Returning to the village, Maurice tells the townsfolk of Belle's predicament, but Gaston convinces the townsfolk to send Maurice to an insane asylum if Belle refuses to marry Gaston.